I am an artist and experimental composer developing collaborative composition methods through practice based research. I work closely with musicians to develop works specific to them. The aim of my current research is to share with the audience, in some way, how the musicians’ bodies feel and act while they play/perform/interact with their instruments. I am interested in uncovering the musicians’ inner worlds, composing with situations and with elements of a lived experience. I am generally unconcerned with sound qualities but care about the experiential effect sound might have on both doers and listeners. I am recently welcoming more ecological views – qualities of the environment that may be experienced aesthetically – into my practice.
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